As one of the most exciting post-punk bands to come out of the UK in recent years, Dry Cleaning’s debut record certainly lives up to the hype. With a surrealist bent that would make Noel Fielding green with envy, the band...
Jess Locke expands her repertoire of anthems for the disenchanted on Don’t Ask Yourself Why, the Melbourne songwriter’s third release and most cohesive statement yet. Effortlessly oscillating between high energy and quiet...
Sydney’s Mere Women return with Romantic Notions, the band’s fourth record that sees them wielding their power in staggering new ways. The title track is a masterclass in post-punk, with the band’s rhythm section – combined with...
Tennessee-based Julien Baker, known for using the guitar as her primary instrument, launches into Little Oblivions with the sound of an organ, signalling a shift in sound on her third solo record. The quality and scope of...
Melbourne shoegaze revivalists Flyying Colours reveal their sophomore record, a reverb-drenched, hook heavy journey well worth the five-year wait. Guitars weave in and out on the opening track Goodtime, a captivating, summery...