“It takes a village to hold on to you,” confesses Rhiannon Atkinson-Howatt, better known by her moniker Merpire. This striking line opens Atkinson-Howatt’s eagerly awaited debut, a record of lyrical strength in times of...
Brisbane trio The Goon Sax reemerge with Mirror II, on which the wide-eyed innocence of their first two records is replaced with an underlying world-weariness felt across the whole album. Sonically, a darker edge that was...
The union of punk savant Jehnny Beth of Savages and Bobby Gillespie of the era-defining Primal Scream is formidable – a coupling you didn’t know was needed until seeing their distinctive profiles together. Though it’s a...
The Murlocs waste no time getting stuck into things on album number five, with lead singer Ambrose Kenny-Smith’s distinctive harmonica ringing out in the first moments of opening track Francesca. Gone is the gritty lo-fi of...
Pioneering indie rocker Liz Phair is back with Soberish, the Chicago native’s first album in over a decade. It doesn’t feel like any time has passed since her last release, with opening track Spanish Door possessing the...