Big Thief prove that their creative output flows like water with Two Hands, the New York quartet’s second album for 2019. Recorded predominately live, the record has an instant warmth and captures an immediacy the band have...
As one of the most recognisable bassists in music, Kim Gordon’s legacy was already truly cemented prior to No Home Record, her debut solo release. The album is a powerful artistic statement, with Gordon exploring industrial...
Three years on from her ground-breaking record My Woman, Angel Olsen returns with the cinematic All Mirrors, the latest documentation of the acclaimed songwriter’s life, laments and loves. There’s plenty of growth between the...
Devendra Banhart leans further into his experimental inclinations on Ma, the Venezuelan-American songwriter’s tenth record. Possessing a warmth and charm that is immediate, Banhart’s vocals are feather-light but heavy with...
Natasha Khan, better known as Bat for Lashes, has become renowned for her cinematic soundscapes, creating a distinct world of her own within each of her records. Lost Girls is no different, Khan turning to the ’80s and...