Author: Jake Cleland

Brightness, ‘Brightness’ review

Brightness’s Alex Knight left it all on the field with 2017’s Teething, a sort of purge he expected to go nowhere that instead took him everywhere. How does one respond to the whiplash from having no expectations to the second...

Bad//Dreems, ‘Doomsday Ballet’ review

Bad//Dreems claim Doomsday Ballet is “less pub, more art” but from Triffids/Angels references to canyon-echo guitar lines, their third album evokes some of Australia’s best pub acts. Map the genomes: there’s the Eddy Current...

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