Sheryl Crow, ‘Live at the Capitol Theater’ review
Released on 2 CDs with a bonus DVD, this album captures acclaimed singer-songwriter Sheryl Crow...
Category: ALBUM REVIEWS
The Gibson Brothers, ‘Mockingbird’ review
Brothers Leigh and Eric are The Gibson Brothers. Over the past 20 years they have built a...
Van Morrison, ‘The Prophet Speaks’ review
Van Morrison is on a creative roll, having just released his fourth album in less than two years....
Elvis Costello & the Imposters, ‘Look Now’ review
In 2007, frustrated with the emergence of MP3 technology in terms of the decline in the personal...
Dolly Parton, ‘Dumplin’ OST’ review
Dolly Parton is one of the most iconic country music artists of all time. With a recording career...
The 1975, ‘A Brief Enquiry Into Online Relationships’ review
As one of the most important voices of the Millennial generation, The 1975 are arguably the most...
Alessia Cara, ‘The Pains of Growing’ review
Alessia Cara is cut from similar cloth to Taylor Swift. Writing all her own songs on The Pains of...
Boyzone, ‘Thank You & Goodnight’ review
Thank You & Goodnight is as much a celebration of Boyzone’s long history as a reminder that...
Rita Ora, ‘Phoenix’ review
Phoenix is an apt title. Since 2012’s sorta self-titled Ora, Rita has skirted genuine pop stardom...
Warrel Dane, ‘Shadow Work’ review
Warrel Dane passed away on December 13th 2017, during the production of what was to become Shadow...
Missy Higgins, ‘The Special Ones’ review
Missy Higgins’ career hasn’t been long – it’s just 15 years since her first release – but her body...
David Campbell, ‘Baby It’s Christmas’ review
Earlier this year, I was lucky enough to see David Campbell perform with the great American...
Kate Bush, ‘Remastered’ review
Appropriately timed with Kate Bush’s 60th year, the renowned English singer-songwriter’s...
ZOOT, ‘Archaeology’ review
As Neil Young sang, it’s better to burn out than to fade away. A “supergroup in reverse”, ZOOT...
City and Colour, ‘Guide Me Back Home’ review
Live albums: they’re kind of like a Greatest Hits, right? Done poorly, they come across as a limp...
Travis Scott, ‘Astroworld’ review
Whether you’re familiar with Travis Scott thanks to his music or his forays with the Kardashian...
Yolanda Ingley II, ‘Woman Got to Cry’, review
Yolanda Ingley’s emergence as a major singer-songwriter took place in 2016 with the...
Midnight Oil, ‘Armistice Day: Live at the Domain, Sydney’ review
A re-formation that didn’t suck. Midnight Oil’s first tour in 15 years showed they’d lost none of...
Muse, ‘Simulation Theory’ review
Muse have long been in a league of their own with their bombastic and uninhibited socio-political...
Indigenoise, ‘Old Ways New Age’ review
Indigenoise don’t believe in the great illusion of separation. Instead they see ties that...
Karise Eden, ‘Born to Fight’ review
Karise Eden was still a teenager when she became the first Australian winner of The Voice. It was...
Little Mix, ‘LM5’ review
The British pop sensation are back to remind us women that we don’t need no men, with their latest...
Mumford & Sons, ‘Delta’ review
If there’s anything Marcus Mumford and his three ‘sons’ – Winston Marshall, Ben Lovett and Ted...
Michael Buble, ‘Love’ review
Bublads and Bublettes will find much to croon about here. Beyond its distinctly Millennial title...
Architects, ‘Holy Hell’ review
It would have been easy for Brighton metalcore heroes Architects to make a dejected and desolate...
Psycroptic, ‘As the Kingdom Drowns’ review
One of the greatest achievements any band could accomplish is a signature sound – a style so...
The Ocean Party, ‘The Oddfellow’s Hall’ review
On the cover of their latest album, six members of The Ocean Party stand looking out from the...
J Mascis, ‘Elastic Days’ review
J Mascis, best known for leading the era-defining Dinosaur Jr, once again delves into his softer...
Jason Isbell and the 400 Unit, ‘Live from the Ryman’ review
Long gone are the days when Jason Isbell was known as that guy who played in Drive-By Truckers....
Matt Corby, ‘Rainbow Valley’ review
“I can’t deny that there’s a new day coming,” Matt Corby sings on his much-anticipated second...
