STACK caught up with the young star of the hit Aussie thriller The Dry, Joe Klocek.
Joe Klocek couldn’t believe his luck, landing his first major film role portraying the younger version of Eric Bana in Aussie crime-mystery The Dry, based on Jane Harper’s best-selling book.
“I was so honoured that people even thought I looked enough like Eric. I mean, every young man wants to be told they look like Eric Bana,” says Brisbane-based Klocek, who has appeared on TV’s popular Nowhere Boys and Neighbours.
Directed by Robert Connolly (Balibo) and co-produced by prolific Australian producer Bruna Papandrea (best known for bringing Liane Moriarty’s popular novel Big Little Lies to TV screens around the globe), The Dry tells the story of Bana’s Federal Agent Aaron Falk returning to his drought-stricken home town after an absence of more than 20 years.
This is not a happy homecoming, as Falk attends the funeral of his childhood friend who allegedly murdered his wife and child before taking his own life – a victim of the madness that has ravaged this community after more than a decade of drought.
When Falk reluctantly agrees to stay and investigate the crime, he opens up an old wound from his youth – the death of 17-year-old Ellie Deacon. Suspecting that these two crimes, separated by decades, are connected, he struggles to prove not only Luke’s innocence but also his own.
“The Dry is a big deal for Australia and I wanted to get it absolutely right,” says Klocek, recalling how he went to Bana for advice. “He told me not to worry about mimicking him but to go with my instincts and view the younger and older versions of Aaron Falk as two separate characters. He really gave me free reign.”
At the heart of Harper’s novel is the fictional town of Kiewarra, the filmmakers quickly zeroing in on Victoria’s Wimmera and Mallee regions to bring the story to life.
“We shot in a lot of remote locations that were going through drought and the kind of hardships that a lot of rural towns in Australia go through,” says Klocek.
“But even though there’s a sense of dread and foreboding in the film, there’s also a sense of hope, and I think that’s also what the film is about – that even through all the hardships, there’s a light at the end of the tunnel which is more applicable now than ever, so it’s a good thing the film is coming out now.”